Aesthetics and Cognition in Kant's Critical Philosophy - download pdf or read online

By Rebecca Kukla

ISBN-10: 0521862019

ISBN-13: 9780521862011

This 2006 quantity explores the connection among Kant's aesthetic idea and his serious epistemology as articulated within the Critique of natural cause and the Critique of the ability of Judgment.

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Extra info for Aesthetics and Cognition in Kant's Critical Philosophy

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We can get clearer about the problem by looking at the passage where Kant appears to offer his most explicit account of the formation of empirical concepts. This is §6 of the Logic, where Kant describes what he calls the “logical acts” of comparison, reflection, and abstraction. g. a spruce, a willow and a linden. (§6, note 1; 9:94–5) The idea behind this example seems to be that we acquire the concept of a tree by being presented with a finite number of trees and noting both the features that differentiate them (for example, the shapes and sizes of their respective leaves and branches) and the features that they have in common (for example, the fact that they have leaves and branches in the first place).

While Ginsborg shows how Kant’s version of this problem has deep roots in eighteenth-century empiricism, Manning and Okrent show its tight connections to a crucial set of debates in contemporary philosophy of mind and epistemology, which ask how our receptive, sensuous contact with the empirical world can play a properly authoritative role in enabling objective judgment and concept application. Wilfrid Sellars and John McDowell, among others, have fought to avoid casting the sensible as a mute ‘given,’ which would be incapable of grounding concept application and inference, and which would thus leave our conceptual apparatus “spinning in the void,” as McDowell has put it.

While Ginsborg shows how Kant’s version of this problem has deep roots in eighteenth-century empiricism, Manning and Okrent show its tight connections to a crucial set of debates in contemporary philosophy of mind and epistemology, which ask how our receptive, sensuous contact with the empirical world can play a properly authoritative role in enabling objective judgment and concept application. Wilfrid Sellars and John McDowell, among others, have fought to avoid casting the sensible as a mute ‘given,’ which would be incapable of grounding concept application and inference, and which would thus leave our conceptual apparatus “spinning in the void,” as McDowell has put it.

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Aesthetics and Cognition in Kant's Critical Philosophy by Rebecca Kukla


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