Elisabeth Schellekens's Aesthetics and Morality PDF

By Elisabeth Schellekens

ISBN-10: 0826497624

ISBN-13: 9780826497628

Aesthetic and ethical price are usually noticeable to head hand in hand.  They accomplish that not just essentially, resembling in our daily tests of works of art that bring up ethical questions, but additionally theoretically, equivalent to in Kant's idea that good looks is the logo of morality.  a few philosophers have argued that it truly is within the relation among aesthetic and ethical price that the major to an sufficient knowing of both idea lies. yet tricky questions abound.  needs to a piece of artwork be morally admirable with the intention to be aesthetically precious? How, if in any respect, do our ethical values form our aesthetic decisions - and vice versa? 

 Aesthetics and Morality is a stimulating and insightful inquiry into accurately this set of questions. Elisabeth Schellekens explores the most principles and debates on the intersection of aesthetics and ethical philosophy. She invitations readers to mirror at the nature of attractiveness, artwork and morality, and offers the philosophical wisdom to render such mirrored image extra rigorous. This unique, inspiring and enjoyable ebook sheds invaluable new gentle on a significantly complicated and hard quarter of concept.

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Extra resources for Aesthetics and Morality

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The second of th ese concerns will be addressed in Part III, where sensibility to value will be Our principal subject. The epis­ temology of aesthetic experience(s) affords both similarities and dissimilarities with the moral case, and perhaps even more inter­ estingly. may be said to share some overriding aims with its moral counterpart. We may take the example of Plato, for whom aesthetic judgements are inseparable from their moral application. and where the notion of beauty is clearly understood in terms of motivati ng us towards truth and goodness, to suggest the scale and import of what is at stake in the raising of such issues.

To promote an agenda whereby knowledge and understanding is part of why we value art is, supporters of such Emotivism and Expressivism argue,1 to mis­ understand the role of art and, moreover, to distort its very nature. At a first glance, this may seem a peculiar position to hold for at least two re asons First, cognitive value seems to be a kind of value that artworks have in virtue of having some other. say, emotional, historical or political value. In other words, the claim that art can enrich our life through other than directly affective channels often rests on artistic features that are not primarily cognitive them­ selves.

These kinds do, in turn, take several forms. First, and in a manner closely related to what was discussed at the end of the previous section, art can be said to give us concep­ tual knowledge of possible scenarios, be they past, present or future.

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Aesthetics and Morality by Elisabeth Schellekens

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